Sure yes .. we have unfinished business, Well it was a musical affair, nothing personal
What inspired you to pursue a career in hip-hop?
I was born in Ajegunle Apapa Lagos Nigeria, I grew up listening to so much dancehall music, my brother was a dancehall artist, which played a big role and also inspired my music life, then his music friends use to come and visit him a lot, so that’s how I cultivated that music culture and lifestyle. at 12 years old, I started performing at street shows and parties, that was how it all started
How do you stay creative and innovative in your music?
My music is based on everyday life, even if it’s a love song or any other topic, I get inspired by everyday life and things I see around me day to day.
Can you share any challenges you’ve faced in the music industry and how you overcame them?
When I lost my former Record label Boss RIP Nigga E, the real “E-money” that kinda shake me because our relationship was close. A lot of people were like what’s gonna happen to me that I’m finished and done with? But I moved on I never let anything put me down. I stayed up, and here I am now, doing my thing globally.
What message do you hope to convey through your lyrics?
Spread positivity globally is my main aim and to unify the world through my music, educate and make people happy, I’m a messenger of Jah
How do you balance staying true to your artistry while also appealing to a wide audience?
I just Be myself and I pour out my feelings in my songs and try to be as positive as I can.
Are there any collaborations with other artists that you dream of doing in the future?
Yeah sure, I just did my first international collabo, a song titled “Bring Your Love” with a Jamaica 
artist named Hezron. I’m looking forward to working with various artists globally and locally like Capleton, Burnaby, Davido, Olamide, Wizkid, Beenieman , Ruger, Sean Paul, Tiwa savage, Tems, and more.
Can you tell us about any upcoming projects or albums you’re working on?
I just teamed up with a US/Jamaica-based management “ Star ReggaeBeat “We dropped a new song with Jamaica singer Hezron, which peaked at #4 on the US iTunes Reggae Chart in September 2023. my Uk winter tour is coming up in November, coming to a city near you. Definitely working on my 2nd studio album for my fans. The name of the album will soon be announced.
How has your music evolved since you first started?
Well, A lot has happened over the years good and bad, but I thank God I was able to inspire lots of young & old artists positively and able to make a big impact in the industry, modernizing the Afro dancehall music in Nigeria.
What role do you think hip-hop plays in shaping culture and society?
Afrobeat, Reggae / Dancehall is a music full of life and lots of messages. Even From Lights of Fela, Bob Nesta Marley, Buju Banton, Capleton, Sizla. It’s been a great impact all over the world so far.
Can you share any advice for aspiring hip-hop artists?
Keep doing your thing and Remember to Always believe in yourself. Stay out of drugs it will kill your focus and your drive
What’s been the most memorable moment of your career so far?
I have so many beautiful memorable moments but I think the show I did with Pras of refugees at the Vault Victoria island Lagos MTV base event was one of my favorite ever because I was a young star just coming up, just launched into the Nigeria music industry, I tore down the show, my jacket was almost ripped off by the crowd omg lol. The love was massive
Despite all the diss track through the years between you and Terry G, how we’re you able to resolve the beef between them, and would you like to work with him shortly?
Sure yes .. we have unfinished business, Well it was a musical affair, nothing personal
How do you engage with your fans and build a strong connection with them?
Well, I engage with my fans through my music , concerts, and social media. If you are my fan & you don’t know where to find me, You can follow me on Instagram:
@malamspicey
Twitter: @Spiceymalam
TikTok : @malamspiceyvibe
YouTube: Malamspicey Threads: @malamspicey let’s vibe
Management & bookings: @starreggaebeat on IG
The heart of Monique’s music lies in her ability to seamlessly weave together the spiritual and cultural aspects of her Yoruba heritage. One of the key instruments she employs is the talking drum, a ubiquitous symbol of African rhythm and communication. The talking drum, also known as “Gangan” in Yoruba, has the unique ability to mimic the tone and nuances of human speech. Monique uses this drum to convey powerful gospel messages with an African touch. Its rhythmic patterns often mirror the cadence of her lyrics, enhancing the emotional impact of her songs.
Another instrument in Monique’s musical arsenal is the Omele. This double-headed Yoruba drum adds depth and resonance to her compositions, grounding her music in the earthy, spiritual essence of African traditions. Its deep bass tones and sharp slaps can evoke a sense of reverence and awe, complementing the themes of salvation and redemption that are central to gospel music.
The bata drum, with its distinct hourglass shape and intricate patterns, is yet another integral component of Monique’s sonic tapestry. Often used in Yoruba religious ceremonies, the bata drum’s resonant tones provide a vibrant and joyful energy to her performances. This drum adds a celebratory dimension to her gospel music, reminding listeners of the communal and festive spirit that is deeply rooted in African culture.
What truly sets Monique apart is her skillful incorporation of Yoruba Ewi into her music. Ewi is a form of Yoruba poetry that is traditionally recited in melodic patterns. Monique’s mastery of Ewi allows her to deliver her gospel message in a poetic and captivating manner. Her lyrics, filled with spiritual wisdom and praise, resonate deeply with her audience, creating a powerful connection between the message and the listener.
Monique’s unique fusion of these traditional African elements with gospel music has not only garnered her a dedicated following but also opened doors for cross-cultural appreciation. Her music transcends linguistic and geographical boundaries, touching the hearts of people from diverse backgrounds. Through her artistry, she demonstrates that spirituality knows no borders and that the universal language of music can bridge cultures.
In conclusion, Monique’s innovative approach to gospel music is a testament to the power of cultural diversity and the ability of music to transcend boundaries. By incorporating African drums and percussions, along with the expressive Yoruba Ewi, into her gospel compositions, she has created a culturally unique and spiritually enriching musical experience that continues to inspire and uplift audiences around the world. Monique’s music serves as a reminder that when we embrace our cultural heritage, we can create something truly extraordinary that resonates with the soul.
